Lady Parts: A Brief Guide to the Sleepaway Camp Franchise

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The blog is a little late today, because in my first draft (which would have been on time) I made the mistake of trying to review the Sleepaway Camp franchise with a focus on the first film. That’s a fool’s errand for several reasons:

A) It has been reviewed with more skill and humor elsewhere (How Did This Get Made? and others).

B) Subjecting Sleepaway Camp to an academic consideration of the cultural perception of trans* people is like dissecting an overcooked macaroni noodle. It gives far too much credit to this terrible film that is less a product of deep-seated cultural attitudes than the singular bizarre vision of the director. Transphobia in film is totally a thing, but Sleepaway Camp is unworthy of being dissected as an example of it.

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C) The film’s cock-driven twist ending (spoilers, I guess, sorry) is so distracting it pulls any review of the movie in like the dick has a gravitational field. My last attempt at reviewing the movie ended with the profound (?!?!?) statement: “I bet Justin Bieber or One Direction or even Twilight would have a fraction of their fans if there were a cinematic avenue for tweens to sate their frustrating cock lust. Down with Justin Bieber! Up with (horror movie) dick!”

[The thing my boyfriend took away from this was that Justin Bieber was kind of a dated reference. But I’m really quite hip to what the tweens are SnapCatting on their mobiles.]

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So… yeah, I’m rewriting this. I’ve learned my lesson, though, and I’m just going to focus on the Sleepaway Camp movies I actually like: Sleepaway Camp 2: Unhappy Campers and Sleepaway Camp 3: Teenage Wasteland. Sleepaway Camp 4 was apparently just shot as porn and then retroactively given the Sleepaway Camp title. Sleepaway Camp 5 is by the same director as the first film and is unavailable to stream on YouTube, two great reasons not to bother with it.

Included below are my collective five favorite moments from both films. Wanna know the plot? Angela once had a penis, but now doesn’t, but it doesn’t really come up ever (even though it motivated her to kill in the first film), and now she’s the most enthusiastic camp counselor ever who deals with unenthusiastic/slutty/profane campers by murdering them. That’s not even a spoiler because you know who the killer is from the beginning. My favorite thing about these movies is the utter lack of suspense. You never ask who is going to kill who when. The answers are Angela and everyone and right now, duh. Props to Pamela Springsteen for her portrayal of one of my all-time favorite horror villains.

5. In Sleepaway Camp 3, Angela kills basically the entire population of the camp, but because she does it one at a time, no one really notices.

I don’t think you understand. Like, half the camp has disappeared and the main counselor is, like, “Hey,  that’s weird, I haven’t seen half the campers for a while. What’s happening with all the kids?” and Angela says, “Oh, yeah, they were bad so I sent them home,” and he’s like, “Angela!” *sitcom-y finger wag* But then eventually she kills him, too.

4. “It’s a drill!”

Springsteen’s delivery is amazing. The snotty camper is all, *eyeroll* “What are you looking for, a gun?” and then Angela just power drills a hole in her dumb chest.

3. The recurring use of the “I’m a Happy Camper” song

Haunting. I want a techno remix, please. Someone fetch me Skrillex.

2. The worst way to die of all the worst possible ways to die:

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Yes, drowning in an old outhouse toilet full of leeches is at least in my top 5 fears, although it probably ranks behind going to a party attended by all of my ex-boyfriends.

1. 30 year old campers and 9 year old campers

In the proud tradition of the first Sleepaway Camp film, these movies feature teens played by grown ass adults, but also actual teen actors, who look like babies compared to their costars. And they flirt with each other in between murders. It’s all very off-putting and yet hilarious, like the Sleepaway Camp franchise as a whole.

Happy Halloween, y’all. Take a moment while you’re creeping and spooking to pour one out for Sleepaway Camp, will you?

Haunted: Best Horror Movie Endings

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The week before Halloween is probably as good a time as any to meditate on my persistent dread and resulting anxiety.

Boo.

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[Note: I’m aware of how unoriginal blogging about your anxiety is. “Oh, really, your entire generation was conditioned to primarily interact online and now you worry about socializing at parties? Whoa, no way.” Bear with me, Condescending Wonka.]

I worry like it’s my fucking job. In college, I created an emergency protocol in case a terrorist or wayward gunman accessed the dorm and I made my roommate do emergency drills with me (my “protocol” was mostly to lock the dorm room, hide in the closet and hold a clothes hanger, ready to poke the attacker in the face if they opened the door).

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My anxiety, driven as it is by an illogical and ceaseless dread, persists even in my most joyful moments. I am, at present, more romantically fulfilled than I’ve ever been. My boyfriend is stupid-handsome, smart, kind, hilarious, talented and incredibly vocal about how awesome I am. And sometimes I shoot him sidelong glances, suspicious of his perfection, ready to find out he is a robot made of anthrax who was programmed to sell me magazine subscriptions and this whole relationship is a long con.

Jean-Claude Van Damme because there are no pictures of magazine selling anthrax robots (elusive creatures)

Jean-Claude Van Damme because there are no pictures of magazine selling anthrax robots (elusive creatures)

So, I’ve had this weird dynamic with horror movies in part because of my big sack o’ dread. You would think that subjecting an anxious person to an experience designed to incite panic (at the disco!) would be a terrible idea and, yes, it’s what made watching scary movies unbearable for so long. Sitting through the tensest moments of a horror movie is still really difficult for me, but I’ve begun to enjoy the experience due in large part to how these movies conclude. All of the tension gets resolved, providing me with a catharsis rivaled only by sex. The protagonist has been subjected to the worst possible scenario and usually (with some notable exceptions) survives.

I love this part of the movie. I spend so much time anticipating horrible events that don’t happen. I wait for the other shoe to drop and it doesn’t. Usually there is no other shoe. I’m preparing for the worst and, luckily, it never happens. But my dread persists because I’m still waiting for my boyfriend to explode into mustard gas or for the murderer to steal my clothes hanger. In horror movies, the worst thing happens, the emergency protocol goes into place and, most of the time, it works. People survive (not sexually active people, but some people) and you know they’re eventually going to be okay (sequels notwithstanding).

So, in honor of my favorite part of the horror movie, I’ve created a list of the best horror movie endings. This post is so very full of spoilers. Duh.

1.Evil Dead (2013)

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I consider this remake an improvement on the original. That’s not as blasphemous a statement as it sounds—while the original franchise (Evil Dead, Evil Dead II and Army of Darkness) is beloved, the first film is the worst of the bunch and features no chainsaw arms.

Anyway, the entire final sequence of the remake is fantastic. The audience is introduced to Mia, our “final girl,” at her most vulnerable, when she’s coming to terms with her drug addiction. We end with her literally conquering her demons. And by “conquer” I mean she saws a demon’s head in half with a chainsaw and walks away like a bad ass in bleeding rain while a cabin burns to the ground behind her.

2. Vamp

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The day will come when I get tired of writing about Vamp, but that day is not today. Have you seen this movie yet? Do it, silly. Grace Jones’s ashy corpse giving the finger to the surviving protagonist is the em-effing best.

3. Jaws

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The shark explodes. It’s super gratifying. Shut up, Jaws is scary.

4. Scream

“Careful, this is the moment when the supposedly dead killer comes back to life, for one last scare.”

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I should do a review of Scream soon. It’s pretty fabulous, and the ending is no exception. It sends up the slasher movie convention of the unkillable killer.